Posts Tagged ‘wedding photographer’

One thing Noi wanted for her debut party was to have a nice outdoor party. Everything was nicely planned and coordinated. The decors were beautifully arranged, delicious food served on the buffet table, everyone close to Noi were already there. All was perfect until rain came in. Yup, Mr. Rain paid a visit and I could see that Noi was getting worried already. 6PM, heavy downpour. 7PM (supposed to be the start of the program – still drizzling ). Noi was already adviced that the party will be moved to the ballroom. But Noi was faithful that the rain would stop sooner, nothing can stop her from having her dream debut party. In our part, it was still cool, we are always armed with plastic bags to cover our cameras when situations like this arise. I was thinking, “this gonna be one wet party”. And around 8PM, Noi’s prayers got answered. The rain stopped and everything just went into place. The guests were still there and enjoyed the night away. It was Noi’s dream party come true just an hour late.

-storyteller Bon

-

-

photographed by: OneHappyStory

coordination: TINES and CO.

location: CHA-LI BEACH RESORT

-

–

-

-

-

NOI @ 18

-

-

-

I am always on the prowl of looking at different wedding photography sites just to be inspired, to get ideas and also be updated on the wedding industry that is going around the globe. And luckilly stumbled on this article in the internet after browsing lots of photography sites and wants to share it with you.

This would be helpful to future clients who are still on deciding phase who would be their wedding suppliers. We can consider our type of photography as wedding photojournalism. As you can see in our photos, we tend to like to capture photos that are candid and full of emotions. So in this article, you can get an idea on how we work.

You can read this article in this site: http://www.wedpix.com/articles/004/hiring-a-creative-professional/

article written by:  by Meghan McEwen for The Wedding Photojournalist Association

-

-

-

HIRING A CREATIVE PROFESSIONAL FOR YOUR WEDDING

Like many brides and grooms, your wedding could be the first time you’ll be hiring a creative professional. You might think the ins and outs of working with a wedding photographer are as simple as writing a check. What could be so difficult, right? But just ask any talented pro, and you’ll get a grateful explanation of why it’s so important to truly understand their creative process.

How you manage your relationship with a wedding photojournalist can have just as profound an impact on the photographs as the day unfolding before the camera. Luckily, you and your photographer both want the same outcome: amazing photos that capture the feeling of the wedding day.

“One of the best things about being a wedding photojournalist is that….one can capture life as it happens without restraint,” WPJA award-winner David Crane says. “At a great wedding everyone wants me there, wants me to capture those fleeting moments, and will appreciate them for years to come.” Learn how to be one of those couples.

FOCUS ON THE CREATIVITY, NOT THE BUSINESS

Wedding photographer Dave Cheung recommends focusing less on the business process and more on the creative one when you’re working with a wedding photojournalist. Of course, you’ll both sign a contract, and ultimately there will be details relating to the types of packages purchased, the number and format of proofs, schedule, costs, and possibly album design, but that should all be secondary when it comes to selecting and working with your creative professional.

Cheung advises that when it comes to hiring a wedding photojournalist, one should not get bogged down with comparing the details of various packages. “It doesn’t matter how many pictures you’re going to get if you don’t first understand how he or she is going to capture your wedding day,“ he states. After all, what difference does it make if you’re getting 100 proofs or 500, if you don’t love the photographs?

Once you’ve made your decision, remember to take care of all those pesky business details before the wedding day arrives. Your photographer needs to be truly present, prepared to capture your moments, and not preoccupied with tracking the types of photographs he’s taking or worrying about collecting payment.

DON’T DIRECT

This is the biggest pet peeve of wedding photojournalists far and wide: brides, grooms, parents, reception coordinators, bridesmaids, DJs and various other guests who give constant direction about what, when and how to photograph the wedding. “Of course I’m going to photograph the flowers and capture the beautiful sunset,” McGraw says. “It’s my job.”

No photographer likes to be given constant art direction. Remember: you’ve hired a wedding photojournalist, because they don’t style photographs. Not only is it annoying, but perpetual third-party direction also takes away from the creative element of documentary style wedding photography. Directing is the antithesis of the natural, unscripted moment. And, as McGraw adds, the more art direction brides and grooms are giving, the less they are enjoying their wedding—and the fewer natural moments there are to photograph.

When there is too much direction, Crane admits to missing moments. “I approach each wedding with no pre-conceived ideas. I let the day unfold before my lens and capture what happens. If I am backed into a portrait-a-thon it never fails that I see real images unfolding out of the corner of my eyes and there is nothing I can do about it. The clients hired me for my ability to capture those honest fleeting moments and I am missing them because I am shooting every possible combination of bride, groom and family,” he says.

COORDINATE WITH OTHER CREATIVE VENDORS

Often times, brides and grooms don’t think about coordinating the styles of all of the other creative pros they’ve hired to cover their wedding. “Make sure all the creative individuals you’re employing are on the same page. If you like your photographers because they’re behind the scenes, and that’s why you hired your photographer, then make sure that approach is also going to work with your videographer,” McGraw suggests.

If the videographer has a style that involves a lot of direction (like making you put on your dress five times), that may not create the best situation for a wedding photojournalist who doesn’t take any staged shots. The creative pros, says McGraw, don’t need to be able to work together, per se, but they should all have a shared understanding of how the day is going to unfold. He suggests asking your vendors direct questions about their process, such as “Are you going to ask me to button up my dress three times?

He also recommends letting all of your other vendors know about your photographer’s style. That way, they won’t be interrupting or trying to pose shots for her.

TRUST YOUR WEDDING PHOTOJOURNALIST

“We’re not selling a product, we’re selling a promise,” says Cheung, who considers trust the single most important part of wedding photojournalism. “If you don’t trust your wedding photojournalist, then why did you hire them?”

If you’re constantly worrying about the photographers—are they getting good shots; taking enough pics; Do I look good?—then you’re not living in the present. “When you let that go,” says Cheung “the imagery is much more confident, because you’re not thinking about it the entire time. You can’t worry. If you’re being primped and prompted at every turn, you’re not going to enjoy your day, and the photos will reflect that.”

Cheung says you have to be comfortable enough in front of your photographer to cry, and trust them to document that in a beautiful way. After all, he says, you don’t have to look good every second of the day. “You just have to trust that wedding photojournalists are artists and thereby trust their vision of your day,” Cheung says.

YOU CAN’T CONTROL EVERYTHING: ACCEPT IT

Trust is also closely related to giving up control. Part of trusting your photographer is being able to hand over the reigns. Accept that you cannot control everything; that’s why you hire professionals to carry out a shared creative vision. Realize that when you try to control too much, you’re actually hijacking the creative process.

For example, McGraw is not a fan of the list. “The family list is fine,” he says. “But not the lists of all the moments: the candles, the garter toss, the bride walking down the aisle.” McGraw once received a four-page list, down to the silverware on the table. “It was beyond duty,” he says, “And I was just going down, checking off the list.”

If you give a wedding photojournalist too long of a to-do list, it distracts them from what you hired them to do in the first place: shoot spontaneous, once-in-a-lifetime moments that can’t be predicted, and therefore, could never be included on a list.

“I don’t want to think about all these expectations,” says McGraw. “I just want to tell the story.”

—

A family that prays and LAUGHS together stays together……and LAUGHS TOGETHER a lot more times. We knew it would be a fun filled day after we first set foot at Mr. and Mrs. Sescon’s hotel room. Everyone were all smiles and just enjoying every minute of their preparation. To Sir Dodo and Ma’am Helen, see you in your Golden Wedding anniversary.

-

-

photographed by: OneHappyStory

coordination: CONCEPTS by Michael Ho and Lyn Pacunio

_

_

-

-

end

-

-